Amanda Clem interviews Danny Lyon for Art Focus on 07/10/18

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Tue, 07/10/2018 - 11:30am to 12:00pm
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In advance of his films Willie and Murderers screening at Portland' Hollywood Theater July 18th, the influential photographer and filmmaker Danny Lyon spoke on the phone with Art Focus's Amanda Clem, from his home in Bernalillo New Mexico.

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Born in 1942 in Brooklyn, New York, Lyon is a photographer and filmmaker working in the style of New Journalism. As the photographer for the Student Nonviolent Coordinating Committee (SNCC) in the ‘60s, Lyon documented major historical events of the Civil Rights Movement. His restless urge to seek out complex social stories led him across America, creating multi-year photographic studies of Texas prison inmates and Chicago biker culture. He brings the same raw intensity and vision to his documentary film work.

His storied career has been the subject of a recent retrospective at the Whitney Museum of American Art.

Linked by the harshness of American incarceration and deep empathy for the complexity and chaos of life at the fringes, these two films exemplify Lyon’s legacy as an ally to outlaws and outcasts everywhere.

Willie (New Mexico, 1985, 16mm, 82 minutes, color/b&w) profiles Willie Jaramillo, a resident of Bernalillo, New Mexico. Defiantly individual and implaccable in the face of authority, Willie is repeatedly thrown into jail for minor offenses. The camera gains access to jail cells, day rooms, lunatic wards and the penitentiary cell block where Willie is eventually locked up next to his childhood friend, convicted murderer Michael Guzman.

Murderers (Arkansas and New Mexico, 2005, digital video, 30 minutes, color), shares the stories of five murderers in three different states: Jessie, newly out in NYC after serving eight and half years for beating a man to death with a baseball bat. Michael Guzman (Willie’s friend from the earlier film), incarcerated 25 years now, opening up about his abusive childhood. Pinkie, who has spent eight years on Death Row. Mojo, 13 years since his conviction of accomplice to a friend’s murder of his adoptive parents. Finally, Harold Davey Cassel, a.k.a. Dinker (who is featured in Lyon’s book “Like a Thief’s Dream”), implicated in his burglary partner’s murder of a policeman.

This program was put together by artist Vanessa Renwick, with PMOMA. Lyon will conduct a short conversation with Renwick and audience Q&A afterwards.

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