From: { brad brace } <bbrace@eskimo.com>
Subject: 12hr contribution
To: onehundredonehours@yahoo.com
Date: Wednesday, April 23, 2008, 5:59 AM_ |__ __| | /_ |__ \| | | __| | | | (_) | | __/ (__| |_ __ | | | | | | __/ | |/ /_| | | | | _ | | | '_ \ / _ \ | | / /| '_ \|'__|The 12hr-ISBN-JPEG Project >>>> posted since 1994<<<< _ | | | '_ \ / _ \ | | / /| '_ \| '__| -_ | | | |__ ___ | | ) | |__ _ __ _ | __ \ (_) | | You begin to sense the byshadows that stretch from the awe of global dominance. How the intersecting systems help pull us apart, leaving us vague, drained, docile, soft in our inner discourse, willing to be shaped, to be overwhelmed -- easy retreats, half beliefs. Works of art are complex formal interventions within discursive traditions and their myriad filiations. These interventions are defined precisely by their incomparable capacity to trace the dynamics of historical process in paradoxical gestures of simultaneously prognostic and mnemonic temporalities. | __| | | | (_) | | __/ (__| |_ _ | | | '_ \ / _ \ | | / /| '_ \| '__| _| |__) | __ ___ _ ___ ___| |_ |_ ___/ '__/ _ \| |/ _ \/ __| __| |_| _ |_| \___/| |\___|\___|\__| _ _/ | _ |__/> > > > Synopsis: The 12hr-ISBN-JPEG Project began December 30,1994. A`round-the-clock posting of sequenced hypermodern imagery from { bradbrace }. The hypermodern minimizes the familiar, the known, therecognizable; it suspends identity, relations and history. Thisdiscourse, far from determining the locus in which it speaks, is avoidingthe ground on which it could find support. It is trying to operate adecentering that leaves no privilege to any center. The 12-hour ISBN JPEG Project ----------------------------- began December 30, 1994 Pointless Hypermodern Imagery... posted/mailed every 12 hours... aspectral, trajective alignment for the 00`s! A continuum of minimalistmasks in the face of catastrophe; conjuring up transformative metaphorsfor the everyday... A poetic reversibility of exclusive events... A post-rhetorical, continuous, apparently random sequence ofimagery... genuine gritty, greyscale... corruptable, compact,collectable and compelling convergence. The voluptuousness of the greyimminence: the art of making the other disappear. Continual visualimpact; an optical drumming, sculpted in duration, on the endless presentof the Net. An extension of the printed ISBN-Book (0-9690745) series... criticallyunassimilable... imagery is gradually acquired, selected and re-sequencedover time... ineluctable, vertiginous connections. The 12hr dialtone... [ see http://www.eskimo.com/~bbrace/netcom/books.txt ]KEYWORDS:>> Disconnected, disjunctive, distended, de-centered, de-composed, ambiguous, augmented, ambilavent, homogeneous, reckless...>> Multi-faceted, oblique, obsessive, obscure, obdurate...>> Promulgated, personal, permeable, prolonged, polymorphous,provocative, poetic, plural, perverse, potent, prophetic, pathological, pointless...>> Robust, real, redundant, resplendent, revolutionary, redeeming...>> Emergent, evolving, eccentric, eclectic, egregious, eternal, exciting, entertaining, evasive, entropic, erotic, entrancing, enduring, expansive... Every 12 hours, another!... view them, re-post `em, save `em,trade `em, print `em, even publish them...Here`s how:~ Set www-links to -> http://www.eskimo.com/~bbrace/12hr.html -> http://bbrace.laughingsquid.net/12hr.html -> http://bbrace.net/12hr.html -> http://noemata.net/12hr/ Look for the 12-hr-icon. Heavy traffic may require you to specify files more than once! Anarchie, Fetch, CuteFTP, TurboGopher...~ Download from -> ftp.rdrop.com /pub/users/bbrace Download from -> ftp.eskimo.com /u/b/bbrace Download from -> hotline://artlyin.ftr.va.com.au Download from -> http://kunst.noemata.net/12hr/ * Remember to set tenex or binary. Get 12hr.jpeg~ E-mail -> If you only have access to email, then you can use FTPmail to do essentially the same thing. Send a message with a body of 'help'to the server address nearest you: * ftpmail@ccc.uba.ar ftpmail@cs.uow.edu.au ftpmail@ftp.uni-stuttgart.de ftpmail@ftp.Dartmouth.edu ftpmail@ieunet.ie ftpmail@src.doc.ic.ac.uk ftpmail@archie.inesc.pt ftpmail@ftp.sun.ac.za ftpmail@ftp.sunet.se ftpmail@ftp.luth.se ftpmail@NCTUCCCA.edu.tw ftpmail@oak.oakland.edu ftpmail@sunsite.unc.edu ftpmail@decwrl.dec.com ftpmail@census.gov bitftp@plearn.bitnet bitftp@dearn.bitnet bitftp@vm.gmd.de bitftp@plearn.edu.pl bitftp@pucc.princeton.edu bitftp@pucc.bitnet * *~ Mirror-sites requested! Archives too! The latest new jpeg will always be named, 12hr.jpeg Average size of images is only 45K. * Perl program to mirror ftp-sites/sub-directories: src.doc.ic.ac.uk:/packages/mirror *~ Postings to usenet newsgroups: 12hr alt.12hr alt.binaries.pictures.12hr alt.binaries.pictures.misc alt.binaries.pictures.fine-art.misc* * Ask your system's news-administrator to carry these groups! (There are also usenet image browsers: TIFNY, PluckIt, Picture Agent, PictureView, Extractor97, NewsRover, Binary News Assistant, EasyNews)~ This interminable, relentless (online) sequence of imagery began inearnest on December 30, 1994. The basic structure of the project has beenover twenty-five years in the making. While the specific sequence ofphotographs has been presently orchestrated for many years` worth of12-hour postings, I will undoubtedly be tempted to tweak the ongoingpublication with additional new interjected imagery. Each 12-hour imageis like the turning of a page; providing ample time for reflection,interruption, and assimilation.~ The sites listed above also contain information on other culturalprojects and sources.~ A very low-volume, moderated mailing list for announcements andoccasional commentary related to this project has been established attopica.com /subscribe 12hr-isbn-jpeg -- The image was to make nothing visible but their connection with one another by space and air, yet each surrounded by the unique aura that disengages every deeply seen image from the world of irrelevant relationships and calls forth a tremor of astonishment at its fateful necessity. Thus from artworks of dead masters, over-life-size strangeness whose names we do not know and do not wish to know, look out at us enigmatically as symbols of all being. -- Big Grey Bricks: This project also serves as a rehearsal for its culmination as a series of offset-printed volumes: each 800+ full-bleed pages (5x8"_300lpi), where the full integrated rhythm of greyscale-sequence can be more intricately resolved. I'd provide all design, prepress and production. --This project remains untainted by corrupt corporate and glib govermentart-subsidies. Some opportunities still exist for financially assisting thepublication of editions of large (33x46") prints; perhaps (Iris giclees)inkjet duotones or extended-black quadtones.Other supporters receive rare copies of the first three web-offset printedISBN-Books. Contributions and requests for 12hr-email-subscriptions,can also be made at http://bbrace.laughingsquid.net/buy-into.html,or by mailed cheque/check: $5/mo $50/yr. Art-institutions must pay 2Kfor each image retained longer than 12 hours.--ISBN is International Standard Book Number. JPEG and GIF are types ofimage files. Get the text-file, 'pictures-faq' to learn how to view ortranslate these images. [http://www.eskimo.com/~bbrace/netcom/pictures-faq.html]-- (c) Credit appreciated. Copyleft1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008<bbrace@eskimo.com>