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35 Years of Portland International Film Festival

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program: 
Stage and Studio
program date: 
Tue, 02/07/2012

Dmae Roberts talks with Bill Foster, executive director of NW Film Center about the 35th annual Portland International Film Festival. This year PIFF showcases 140 films — 93 features and 46 short films — from 36 different countries. We’ll get a sneak peek and best picks so tune in! Become a member or renew your membership and get a pair of tickets to the festival!

TUNE IN AND CALL 503-232-8818 OR 877-500-5266 AND PICK UP SOME PIFF THANK YOU GIFTS: A PAIR OF TICKETS TO THE FESTIVAL FOR $60! Just call in or become a member online!

The NW Film Center celebrates its 40th anniversary year as an organization. This year’s PIFF line-up includes documentaries, family friendly films, PIFF After Dark and an early look at 11 of this year’sOscar nominees.

The full PIFF Program, tickets, and more are available at http://festivals.nwfilm.org/piff35/.

Tickets are available by phone (503-276-4310) or in person at the Film Center’s Advance Ticket Outlet, located in the lobby of the Portland Art Museum’s Mark Building at 1119 SW Park Avenue, open daily from 12-6 p.m. February 1-25. Online tickets are available anytime at http://festivals.nwfilm.org/piff35/.

Some of the films Dmae will showcase are:

Unfinished Spaces — an historical documentary about three architects who in 1961 attempted to create three arts buildings in Cuba at Fidel Castro’s invitation. 40 years later the buildings remain unfinished and decaying. This film chronicles of what changed in Cuba that made it impossible for the buildings to be completed.

Pink Ribbons, Inc. — an Canadian investigative documentary about the commercialization and breast cancer industry, especially timely now because of the recent Susan G. Komen Foundation controversy. (see photo above left)

Where Are You Taking Me? — Kimi Takesue lyrical and beautifully photographed travelogue in Uganda without narration and very little dialogue that presents everyday life of a country healing from a war-torn, violent history.

Almanya — a family comedy/drama about a Turkish worker who makes a life for himself in Germany.

The Fairy — a whimsical French film about a hotel worker falls in love with woman who claims to be a fairy who grants him three wishes.

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Sex Trafficking & Fairy Tales

Categories:
program: 
Stage and Studio
program date: 
Tue, 01/24/2012

Dmae Roberts presents a ‘Making Change’ feature story  of the women behindStories: From Survivors of the Sex Trade, a performance produced by Lunacy Stageworks. And in the second part of the show, we’ll hear about The Tripping Point, an exhibition of fairytale installations at Shaking The Tree Theatre.

 

As part of this year's Fertile Ground Festival of New WorksLunacy Stageworks produces another important story providing a hard-to-come by connection; this time to the reality of what women endure through their stories from the front lines of Portland's sex trade.

The biggest misconception about prostitution is that it is a choice, acknowledges Jeri Sundvall-Williams, Neighborhood Program coordinator at City of Portland. In reality most of these girls are forced into it, sometimes even sold into it by a parent. Ms. Williams and Rachel Indigo Cerise Baum tell their stories of exploitation as young girls, survival, and growth as women.

As their stories unfold, audiences' perceptions of prostitution are forever changed, bringing about awareness and a call to action. Last year, Lunacy Stageworks also participated in Fertile Ground with Stories: from the Streets, a collection of readings written and performed by people who had experienced homelessness.

Show Times:
Directed by: Ann Singer
Venue: Sellwood Masonic Temple  | 7126 SE Milwaukie Ave.
Festival Dates: Jan. 27th, 28th 8:00-9:oo PM
Reception following performance on 28th by Artemis Foods
Tickets $7 advance; $10 door | 503.205.0715

Jeri Sundvall-Williams
Jeri Williams is a Neighborhood Program Coordinator for the Office of Neighborhood Involvement for the City of Portland. She manages the Diversity and Civic Leadership program which funds Communities of Color and Immigrant Refugee communities to train their constituencies on Civic Engagement with the City of Portland.

She is a survivor of prostitution, gangs and drugs endured for over 20 years, and she has been a community activist in Portland for the last 15 years. Jeri organizes and conducts public presentations on issues of environmental justice (EJ), poverty, peace, domestic violence and many other topics of social justice.  Throughout her career, she has trained hundreds of community leaders and advocates, and she serves on several boards, task forces and grant making committees.

Sundvall-Williams dedicates her free time to work with victims of human trafficking, sustainability, community organizing and environmental justice. She also devotes time to public speaking at colleges and conferences on many issues as well as organizing events. She believes that the right kind of investment makes change for anyone, as it did for her.

Rachel Indigo Cerise Baum
An out, proud, LGBTQI senior advocate, writer, artist, Rachel is currently a Resident Property Manager at the Housing Authority of Clackamas County. As a former volunteer and subsequent senior program coordinator for Elder Resource Alliance(ERA), of Portland Oregon, Cerise Baum worked directly with and for hundreds of LGBTQI seniors for 7 years.

Cerise Baum seeded the concept and launched Portland Oregon's "Gay and Gray," wellness + resource fair. She also worked with interns and volunteers to launch Portland Oregon's first and only culturally specific "Loaves and Fishes" mealsite, and a "Volunteers in Emotional Well Being of Seniors," support group for LGBTQI elders. Cerise Baum provided diversity training about unique needs and concerns of LGBTQI seniors for in excess of 1500 students and professionals. 

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Susan Mach and Claire Willett

Categories:
program: 
Stage and Studio
program date: 
Tue, 01/17/2012

Dmae Roberts talks with playwrights Susan Mach, and Claire Willett. Oregon Book Award-winner Susan Mach's A Noble Failure is the winner of CoHo Productions' NEWxNW Playwrighting Competition. Artist's Reperatory Theater presents a staged reading of Willett's Dear Galileo, both as part of the Fertile Ground Festival of New Works.

Susan Mach's A Noble Failure is about what happens when a public school gets co-opted by a private for-profit company. The genesis of the play began with the creation of the character Rosalyn, a lifelong teacher who never imagined herself as anything else. She is trying to keep a young Russian immigrant, Ivan, in school after he gets in trouble for tagging the library and destroying a trophy case. Rosalyn is an English teacher modeled after influential instructors of Mach's.

Much of the play is a response to the current broken public school system. It speaks to how career teachers are being maligned and demonized in the media for economic and social ills beyond their control, and how public schools are being shut down in record numbers, replaced by privately owned charter schools that often cherry-pick students, disregarding those with low incomes and/or learning disabilities.

Claire Willett's Dear Galileo looks at three women in three different times who wrestle with their identity, the conflict between science and religion, and what it means to be their fathers’ daughters. In Renaissance Italy, Celeste Galilei lives under house arrest with her elderly father Galileo, the disgraced astronomer who wants to defy the Pope yet again by publishing one last book.

In a small town in Texas, creationist author and TV pundit Robert Snow is at a loss when his 10-year-old daughter Haley’s newfound passion for science begins to pull her away from the Biblical teachings of her upbringing. And in Swift Trail Junction, Arizona, home of the Vatican Observatory’s U.S. outpost, New York sculptor Cassie Willows arrives to find that her estranged father, world-renowned astrophysicist Jasper Willows, has gone missing. As the three stories move toward their point of convergence, the destinies of each become inextricably bound with the others, linked through time by love, family, grief, faith and the search for identity.

Show Times:
A Noble Failure by Susan Mach
Directed by Erin Lucas
Venue: CoHo Theater
Festival Dates: Sunday, January 22 – 2:00pm, Sunday, January 29 – 7:30pm
Tickets are Pay-What-You-Will | 503.205.0715

Dear Galileo by Claire Willett
Directed by Stephanie Mulligan
Venue:  Artists Repertory Theatre, Morrison Stage, 1515 SW Morrison, Portland OR 97205
Festival Dates:  Jan 21 @ 2pm; Jan 23 @ 7:30pm
Tickets:  Pay What You Will; $10 suggested donation | 503.241.1278
Playwright Susan Mach has an MA in Playwriting from Boston University. Her first play, Monograms, published by Rain City Press in Seattle, received a Portland Drama Critics Circle Award. Her second play, Angle of View, was a finalist for the Oregon Book Award and received readings at Portland Repertory Theatre and Boston Playwrights’ Theatre.  For her third play, The Shadow Testament, she received a Woman Writers Fellowship from Literary Arts. Her play, The Difficult Season, a collaboration with renowned jazz pianist and songwriter Dave Frishberg, was workshopped at Artists Repertory Theatre
She was recently awarded a fellowship from Oregon Literary Arts for her latest play, The Lost Boy, which was also part of Portland Center Stage’s JAW/West development series and recently received a staged reading at Bloomsburg Theatre Ensemble, and was a winner of the 2011 Angus Bowmer Award for Drama at the Oregon Book Awards.
 
Playwright Claire Willett was the summer 2011 Writer-In-Residence at the I-Park Artists’ Colony in East Haddam, CT., was named the 2011 Oregon Literary Fellow for Drama, and was a finalist for the 2011 Fox Valley Repertory Collider Project (a new initiative supporting the creation of new plays about science and technology). Three of her plays have been produced as staged readings for Fertile Ground's Festival of New Works: Upon Waking in 2009, How the Light Gets In in 2010, and That Was the River, This Is the Sea (co-written with Gilberto Martin del Campo) in 2011.
 
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